She swore, in faith, 'twas strange, 'twas passing strange, 'twas pitiful, 'twas wondrous pitiful This only witchcraft I have used. April 30, 2023, SNPLUSROCKS20 Because Othello is resistant to believing in Desdemonas guilt, Iago has more fuel to persuade him. Cuckold me! Designed by GonThemes. Iago Othello study guide contains a biography of William Shakespeare, literature essays, a complete e-text, quiz questions, major themes, characters, and a full summary and analysis. Save over 50% with a SparkNotes PLUS Annual Plan! Desdemona also states I have not deserved this. Othello Jealousy Quotes | Shmoop Since pride is an excessive feeling of self-worth and confidence in your own abilities, you might become contemptuous of any advice or criticism that contradicts your beliefs, leading to impulsive and destructive behaviour. Villainy, villainy, villainy! Examples Of Hubris In Othello - 391 Words | Bartleby Othello and his loyal men would tear him apart, like birds. Considered by some to be one of the finest tragedies ever written Shakespeare's Othello tells the story of one man's fall from happiness to utter despair. Iago's Impulsiveness In Othello - 921 Words | Internet Public Library The tragic hero then interrogates Desdemona. The quote darkly foreshadows how Othello will be unmoved by Desdemonas insistence on her innocence and pleas for her life to be spared. J. N. Smith. Most people have heard the phrase pride comes before a fall. Fill each blank with the most appropriate word. Ah me, ah me! Othello says "I did consent, And often did beguile her of her tears When I did speak of some distressful stroke That my youth suffered. What spasms athwart me shoot, What pangs of agonizing memory?" In a grotesque scene, Oedipus screams these lines after he blinds himself. Othello's hubris eventually leads to his downfall, as he is too proud to ask Desdemona if she has been unfaithful, as he does not want to be cuckolded and have his manhood, honour and reputation ruined as a result . This leads to Othellos madness and desperateness in killing those who have abused and mocked him. OthelloThe quote is says that Othello wants Cassio dead and shows Iago's plan is working. Act 2 Scene 1- Iago suggests that sex will ruin Desdemona and Othellos relationship, When the blood is made dull with the act of sport, Act 2 Scene 1- Iago identifies Cassios quick temper as a flaw that can be used against him, hes rash and very sudden in choler, and haply//with his trucheon may strike at you, Act 2 Scene 1- Iago identifies Othellos greatness of soul as a flaw that can be used against him, The Moor//Is of a constant, loving, noble nature//And I dare think, hell prove to Desdemona// A most dear husband, Act 2 Scene 1- Iago expresses his motives as revenge as he belives Othello has slept with his wife. It seems Othello made the decision to satisfy his own ego. For example, in his essays on Rhetoric, Aristotle argued a blow would include hubris if its purpose was to humiliate the victim or gratify the striker, especially if the assault was unprovoked. He does not wish to spare anybody because his hubris facilitates him to kill the innocent ones without question. I saw the handkerchief in his hand. He ignores her claims that she is his true and loyal wife and blindly argues heaven truly knows that thou art false as hell. Why does Othello care about Desdemonas handkerchief. | But for all the whole world! The Aristotelian tragedy is about a patriarchal society containing a tragic hero the tragic hero is portrayed as a powerful, respected person with a fatal flaw, his hubris. For when my outward action doth demonstrate, In compliment extern, tis not long after. Act 5 Scene 1- Othello confirms that he is going to kill his wife in her bed, Thy bed, lust-stained, shall with lusts blood be spotted, Act 5 Scene 1- Roderigo correctly identified Iago as the villain after he has been stabbed. What is Othello's tragic flaw that causes his downfall? The magnificence of Othello shines through through his behaviour and rhetoric, becoming a juxtaposing image of a 'Valiant Othello' both the Duke and senators speak of. Modern definitions of hubris focus on this foolish pride and how a characters arrogance will result in their inevitable destruction. Othello): O Perjured woman! Nor scar that whiter skin of hers than snow. Pomp and circumstance. Tragedy- Othello quotes. At this point, Oedipus has realized that he indeed killed his father and slept with his mother. (3.3.373-382) Iago realizes the unbelievable power of jealousy. Put out the light, and then put out the light: Trying to bring himself to kill Desdemona, Othello acknowledges the finality of what he is about to do. Othello: How Jealousy and Hubris Shape the Destruction of the The image could certainly be seen as arrogant or a measured response to the noblemans attempts at intimidation. By contrast, Othello would argue her adultery justifies her punishment. The idiom "wear my heart on my sleeve" comes from this line in Othello. Farewell, Commend me to my kind lord: O, farewell!" showing her motive to protect Othello which such a realisation leads to his own death, "I kiss 'd thee er. GradeSaver, 29 September 2014 Web. Dont have an account? Uds pity, who would not make her husband a cuckhold to make him a monarch? Thieves, thieves! Want 100 or more? The other, due to their different ethnic backgrounds, are perceived as inferior. Pomp and circumstance Shakespeare Quotes - eNotes.com Othello's . And O you mortal engines, whose rude throats. A fellow almost damned in a fair wife. She then offers her own view of Desdemonas character, saying she would lay down my soul at stake that she is honest. An example of this is when Iago and Rodrigo use racist language to describe Othello and their disgust in Othello having sex with Desdemona. Aspects of Tragedy- Othello - Litchapter.com As Othello becomes more convinced by Desdemona's 'falseness', he equates the alleged dishonour of "her name" with the black complexion of his face - By the world, I think my wife be honest and think she is not; I think that thou art just and think thou art not. This action leads to Othellos ultimate destruction under the Aristotelian tragedy readings. Continue to start your free trial. Horribly stuffed with epithets of war. I have lost the immortal part of myself, Act 2 Scene 3- Cassio curses the alcohol as he is left devastated, Every inordinate cup is unblessed and the ingredience is evil, Act 2 Scene 3- Iago reveals that Othellos devotion to Desdemona could act as his fatal flaw, he hath devoted and given up himself to the contemplation, mark and denotement of her parts and graces, Act 2 Scene 3- Iago reveals that Desdemonas kind nature is a flaw that can be used against her, She is of a free, so kind, so apt, so blessed a disposition she holds it a vice in her goodness not to do more than she is requested, Act 2 Scene 3- A moment of dramatic irony as Iago reveals himself to be the villain, And whats he then that says I play the villain//When this advice is free I give and honest, Act 2 Scene 3- A moment when Iago further illustrates Desdemonas innocent and free nature, Shes framed as fruitful//As the free elements, Act 2 Scene 3- Iago reinforces Othellos fatal flaw as his love for Desdemona, Act 2 Scene 3- Iago reveals the deadline nature of words, Act 2 Scene 3- Iago reveals that it is Desdemonas goodness that will result in their tragic downfall, And by how much she strives to do him good//She shall undo her credit with the Moor, Act 2 Scene 3- Iago declares that he will turn Desdemonas strengths into weaknesses, So I will turn her virtue into pitch// and out of her own goodness make the net//That shall enmesh them all, Act 2 Scene 3- Roderigo has a moment of realisation that he is the victim, I shall have so much experience for my pains; and so, with no money at all, and a little more with, return to Venice, Act 3 Scene 1- Cassio discusses the purity of Desdemona, Act 3 Scene 1- Cassio makes an error of judgement as discusses his trust for Iago, I never knew a Florentine more kind and honest, Act 3 Scene 3- Desdemona makes an error of judgment as she confirms that she will help Cassio, be thou assured good Cassio, I will do// all my abilities in thy behalf, Act 3 Scene 3- Desdemona makes an error of judgement as she states that she trusts Iago, Act 3 Scene 3- In a moment of dramatic irony Desdemona doesnt know the truth in here words as she states she would rather die than give up on Cassio, For thy solicitor shall rather die//Than give thy cause away, Act 2 Scene 1- Desdemona is putting up a front to maintain appearances as she waits with Iago and Emilia for Othello to arrive safely to Cyprus, I am no merry, but I do beguile// The thing I am by seeming otherwise, Act 2 Scene 3- Othello reveals that he and Desdemona are going to have sex for the first time, The purchases made, the fruits are to ensue: That profits yet to come tween me and you, Act 2 Scene 3- Iago appears crude and bitter as he wishes that Othello and Desdemona have a good time in bed, this contrasts the formality of Cassios language, Act 2 Scene 3- Iago presents Roderigo as the tragic victim of love, Rodergio, Whom love hath turned almost wrong side out, Act 2 Scene 3- Iago introduces the power of pride as he sings with Cassio to get him drunk, Act 2 Scene 3- When Cassio is drunk he reinforces his power over Iago, The lieutenant is to be saved before the Ancient, Act 2 Scene 3- Iago begins to manipulate Montano into believing that Cassio should not be trust by Othello, Act 2 Scene 3- Montano presents Othellos good nature as he defends the trust Othello put in Cassio, his good nature//Prizes the virtue that appears in Cassio// and looks not on his evils, Act 2 Scene 3- In a moment of dramatic iron Iago damns Cassio for his drunken behavious, Act 2 Scene 3- Othello states that he Cassio has ruined his reputation as lieutenant, Act 2 Scene 3- In a moment of dramatic irony Othello states that he is now ruled by his blood, Now, by heaven// My blood begins my safer guides to rule, Act 2 Scene 3- In a moment of dramatic irony Othello criticises those who make their private conflict public, To manage private and domestic quarrel in night, and on the court and guard of safety, Act 2 Scene 3- Iago states that when angered men do harm to those they love, As men in rage strike those that wish them best, Act 2 Scene 3- Iago reveals his bitter opinions of status and reputation, Reputation is an idle and most false imposition: oft got without merit and lost without deserving, Act 2 Scene 3- Iago revels that Othello now belongs to Desdemona, Act 2 Scene 3- Iago reveals a possible fatal flaw of Othello as he is completely devoted to Dsdemona, Act 3 Scene 3- Iago begins to plants seeds of doubt into Iagos mind as he suggests that Cassio is sneaking around behind Othellos back, I cannot think it// That he would sneak away so guilty-like// Seeing you coming, Act 3 Scene 3- Othello states that he will give Desdemona everything, Act 3 Scene 3- Desdemona proves to Emilia that she is obedient but challenges Emilias obedience, Emilia come. The relationship between Roderigo and Iago is obviously somewhat close. However, the audience will be quick to question Iagos own motivation for such scornful remarks. Othello August 10, 2019. Now that Iago has awakened jealousy and suspicion in him, he cannot think about anything else. Also, referring to Othello, Iago says that not all men are fit to lead and not all leaders should be followed. When O comes to Hugo for confirmation that Desi is cheating on him, Hugo tells O that this is how Mike and Desi talk about O when they are together. Subscribe now. In other words, she inflated his ego. Aristotle outlined his theory of tragedy in Poetics. "Haply for I am black'Tis destiny unshunnable like death." (Act 3 Scene 3 Lines 267-279). Thou dost stone my heart. Act 5 Scene 2- Othello makes an error of judgement once again and suggests that Iago is honest, An honest man he is, and hates the slime//That sticks on filthy deeds, Act 5 Scene 2- Emilia cannot believe that her husband is responsible, Act 5 Scene 2- Emilia suggests that villainy has destroyed this love, Act 5 Scene 2- Othello defends Iago when Emilia is accusing him of villainy, My friend, thy husband, honest, honest Iago, Act 5 Scene 2- Emilia wishes severe punishment on her husband, may his pernicious soul//Rot half a grain a day, Act 5 Scene 2- Emilia suggests that Othello will go to hell for this act, This deed of thine is no more worthy of heaven//That thou was worthy of her, Act 5 Scene 2- Theres a transformation in Emilia who begins to defend herself, Thou hast not half that power to do me harm//As I have to be hurtAs ignorant as dirt, Act 5 Scene 2- Emilia hopefully suggests that Othello is blaming Iago, You have done well//That men must lay their murders on your neck, Act 5 Scene 2- Once again Emilia hopes that Iago is not responsible, I know thou didst not: thourt not such a villain//Speak for my heart is full, Act 5 Scene 2- Emilia identifies the cruel act of her husband, You told a lie, an odious damned lie// Upon my soul, a lie, a wicked lie, Act 5 Scene 2- Emilia is not longer subdued to her husband, I will not charm my tongue; I am bound to speak, Act 5 Scene 2- Emilia ultimately identifies Iago as the villain. Act 3 Scene 3- Othello illustrates his love and admiration for Desdemona but also creates a sense of identity for his wife, To say my wife is fair, loves company//Is free of speech, sings, plays, and danses well, Act 3 Scene 3- In a moment of dramatic irony Othello criticises his future actions by suggesting that it would be a weakness to doubt his wife, Not from mine own weak merits will I draw//The smallest fear or doubt of her revolt, Act 3 Scene 3- There is a self-assured arrogance as Othello states that Desdemona chose him, Act 3 Scene 3- In a moment of dramatic irony Othello states that he will not act unless he has proof, Ill see before I doubt; when I doubt, prove; And on the proof, there is no more but this, Act 3 Scene 3- Iago suggests that Othello watches his wife with Cassio, Look to your wife; observe her well with Cassio, Act 3 Scene 3- In a moment of dramatic irony Iago states that he wishes to protect Othellos nature, I would not have your free and noble nature//Out of self-bounty be abused, Act 3 Scene 3- Iago plants seed of doubt into Othellos mind as he mirrors the previous advice of Brabantio, Act 3 Scene 3- Othello makes an error of judgement as he completely trusts the words of Iago, This fellows of exceeding honesty// And knows all qualities with a learned spirit// of human dealings, Act 3 Scene 3- Othello suggests that he not gentle of soft enough for Desdemona, Haply, for I am black// And have not those soft parts of conversation, Act 3 Scene 3- Othello states that he has lost Desdemona and now he must hate her, Shes gone: I am abused, and my relief// Must be to loathe her, Act 3 Scene 3- Othello discusses his hate for marriage, O, curse of marriage that we can call these delicate creature ours//And not their appetites, Act 3 Scene 3- Othello illustrates his reliance on fate and destiny, Act 3 Scene 3- Emilia states how she has stolen the Hankerchief to give to Iago, This was her first remembrance from the Moor// My wayward husband hath a hundred times// Wooed me to steal it, Act 3 Scene 3- Emilia tells Iago that she has stolen the hankerchieft, Why that the Moor first gave to Desdemona// That which so often you did bid me to steal, Act 3 Scene 3- Iago states that he is already changing the Moor, Act 3 Scene 3- Othello states that he would rather not know about the affair, I swear tis better to be much abused//Than but to knowt a little, Act 3 Scene 3- Othello is saying goodbye to his previous life, Farewell the tranquil mind! Tragedy- Othello quotes Flashcards | Quizlet He seems to know the thoughts of the heavens and speaks on their behalf. The irony of this statement is that he is telling the truth about his dishonesty. Act 4 Scene 3- Emilia blames men for the bad behaviour of women, But I do think it is their husbands fault// if wives do fall, Act 4 Scene 3- Emilia lists some of the downfalls of men which results in the bad behaviour of women, they slack their duties//And pour our treasures into foreign laps//Or else break out in peevish jealousies, Act 4 Scene 3- Emilia suggests that women seek revenge on their husbands, though we have some grace, yet we have some revenge, Act 4 Scene 3- Emilia suggests that women are as powerful as men, Let husbands know their wives have sense like them: they see and smell//And have their palates both for sweet and sour//As husbands have, Act 4 Scene 3- Emilia blames men for the ills of women, The ills we do, their ills instruct us to, Act 5 Scene 1- Roderigo admits that he has been manipulated by Iago into harming Cassio, I have no great devotion to the deed// And yet he hath given me satisfying reason, Act 5 Scene 1- Iago reveals the true extent of his villainy, by suggesting the death of both Cassio and Roderigo will benefit him, whether he kill Cassio//or Cassio him, or each do kill the other//Every way makes me gain, Act 5 Scene 1- Iago reveals his jealousy of Cassio, He hath a daily beauty in his life//That makes me ugly, Act 5 Scene 1- Othello continues to make an error of judgement as he continues to believe in Iago. It also is the first seed planted in his game of deception. However, though he will kill her, he will not mar her beauty in doing so, as Desdemona's beauty/whiteness/light is a symbol of her goodness. Which thou owedst yesterday. This hand is moist, my lady, Act 3 Scene 4 Othello discusses the ancestry of the Hankerchief, That hankerchief//Did an Egyptian to my mother give:She was a charmer and could almost read the thoughts of people, Act 4 Scene 2- Othello suggests that heavens worst punishment is affecting his reputation, But alas, to make me//A fixed figure for the time of scorn//To point this slow unmoving finger at. I know our country disposition well;/ in Venice they do let heaven see the pranks/They dare not show their husbands; Their best conscience/ Is not to leave't undone, but keep't unknown. After all, we're not savages. Othello says this line as he rages about the torment he is experiencing now that he is suspicious of his wifes fidelity. Othello: Out, strumpet! Othello shows his noble nature by diffusing the tension between him and Brabantio (Megalopsychia) Act 1 sc 2 "I do beseech you, send for the lady to the sagittary, and let her speak before her father. Be as your fancies teach you. My wife! Wraps me and bears me on through mist and cloud. The King James Version of the Bible offers a good translation of the line from the Book of Proverbs (18): Pride goeth before destruction, and a haughty spirit before a fall.. When you shall these unlucky deeds relate, Nor set down aught in malice. Thinkst thou Id make a life of jealousy//To follow still the changes of the mood//With fresh suspicions? Othello: tragic flaw & Hubris - Litchapter.com He is proud and vain thinking that the handkerchief is enough proof that Desdemona is has faithlessness to her husband. Othello: Out, strumpet! Hugo. I would have Cassio nine years a-killing a fine woman, a fair woman, a sweet woman. This reckless rejection of the warning signs is a very useful definition of hubris. Iago knows that if the rest of the characters knew what lurked in his heart, he would be destroyed. Othello e-text contains the full text of Othello by William Shakespeare. Often translated into English as outrage, hubris was a criminal act of malicious and unjustifiable cruelty or violence, committed with the sole intention of dishonouring the victim. Iago says this to Othello. This results in Othellos insecurity and doubtfulness over his relationship with Desdemona and questions his wifes fidelity. The verb tenses in the following sentence are not used consistently and logically. "But he, as loving his own pride and purposes" Iago's comments on Cassio's talents. However, because Othello is black, this can be interpreted as a backhanded compliment; Othello is more fair (just, gentlemanly) than those of his race. Free trial is available to new customers only. Iago provokes Othello and incenses him with arrogance and rage as shown in if you are so fond over her iniquity; give her patent to offend for if it touch not you, it comes near nobody. At this point, all he can do is try to explain how he would like his story to be told. The only difference between . Alternatively, the images simply reinforce his greatness and the audience will admire his strength and conviction. Animalistic imagery is used to show Venetian societys racist thoughts against blacks. Othello shows his vanity and cruelty to Desdemona by outlining his capability in killing Cassio as revenge. Is It Power of Words Which Destroy Othello or His Own Hubris? Since the affair was part of Iagos lies and scheming, the court might decide the assault was designed simply to shame Desdemona and Othello is guilty of hubris. quotes are said by Othello whose character I believe made the most impact on my perception of the first great black protagonist in Western literature. $18.74/subscription + tax, Save 25% Act 1 Scene 1- Iagos racism as he discusses Othello and his wife to Brabantio, an old black ram//Is tupping your white ewe, Act 1 Scene 1- Iagos racism continues as he discusses Othellos marriage, youll have your//daughter covered with a Barbary horse; youll have your// nephews neigh to you, Act 1 Scene 1- Brabantio doesnt know the truth in his words, Act 1 Scene 1- Roderigo illustrates that he is repulsed by the marriage, Act 1 Scene 1- Iagos dramatic irony as he suggests that he should leave before Othello arrives, It seems not meet, nor wholesome to my place//To be produced, Act 1 Scene 1- Brabantio introduces a central theme to the play, Act 1 Scene 1- Brabantio expresses his betrayal, Act 1 Scene 1- Brabantio confirms the Rennaissance stereotype of black men, Is there not charm// By which property of youth and maidhood//May be abused, Act 1 Scene 1- Brabantio makes his private conflict public, Get weapons, ho!//And raise some special officers of night, Act 1 Scene 2- Iagos dramatic irony as he pretend to be fault to Othello, Act 1 Scene 2- Iago suggests that Brabantio has betrayed Othellos honour, And spoke such scurvy and provoking terms// Against your honour, Act 1 Scene 2- Othello initially illustrates his pride as an officer, My services which I have done the signory//Shall out-tongue his complaints, Act 1 Scene 2- Othello further illustrates his honour as an officer, I fetch my life and being//From men of royal siege, Act 1 Scene 2- Othello expresses his greatness of soul as he declares his love for Desdemona, But that I love the gentle Desdemona//For the seas worth, Act 1 Scene 2- Othello declared his hubris as he suggests that he must be found, My parts, my title, and my perfect soul//Shall manifest me rightly, Act 1 Scene 2- Othello subverts the traditional stereotype of soldiers as he suggests that violence isnt always the way, Keep up your bright swords, for the dew will rust them//Good signor, you shall command with years//Than with your weapons, Act 1 Scene 2- Brabantio declares that Othello has charmed Desdemona, Damned as thou art, thou has enchanted her, Act 1 Scene 2- Brabantio illustrates Desdemona as a weak victim to the cunning sexual predator of Othello, If she in chains of magic were not bound//Whether a maid, so tender, fair and happy//so opposite to marriage that she shunned, Act 1 Scene 2- Brabantio reveals his casual xenophobia as he suggests that one should be afraid of Othello rather than in love, Of such a thing as thou: to fear, not to delight, Act 1 Scene 2- Brabantio confirms the Rennaissance stereotype of black man as he presents Othello as a cunning sexual predator, That thou hast practised on her with foul charms//Abused her delicate youth with drugs or minerals, Act 1 Scene 2- Brabantio presents Othello as a villain, Act 1 Scene 2- Othello asserts his power as an officer declaring that violence is not necessary, Were it my cue to fight, I should have known it//Without a prompter, Act 1 Scene 3- Brabantio presents Desdemona as his property as he declares Othellos crimes before the senate, She us abused, stolen from me, and corrupted, Act 1 Scene 3- Brabantio presents Desdemona as the innocent victim of Othellos abuse, Being not deficient, blind, or lame of sense//Sans witchcraft could not, Act 1 Scene 3- Othello dispels all rumors as he addresses the senate with respect, Act 1 Scene 3- Othellos dramatic irony as he suggests he does not speak well in front of a crowd, Rude am I in my speech//And little blessed with soft phrase of peace, Act 1 Scene 3- Othello also suggests that Desdemona is now is property, Act 1 Scene 3- Brabantio continues to present Desdemona as a weak and innocent victim as Othello attempts to justify his actions, A maiden never bold//Of spirit so still and quiet that her motion//Blushed at herself, Act 1 Scene 3- Brabantio continues to illustrates the xenophobia of his time, To fall in love with what she feared to look on, Act 1 Scene 3- Brabantio expresses the unnatural nature of this marriage, Act 1 Scene 3- Brabantio a likens Othello to the Devil, Act 1 Scene 3- Othello presents a greatness of soul as he allows Desdemona to speak for herself, And let her speak of me before her father, Act 1 Scene 3- A moment of foreshadowing as Othello presents a greatness of soul as he illustrates his overwhelming trust for Desdemona, but let your sentence//Even fall upon my life, Act 1 Scene 3- Othello presents his hubris as he discuss the difficulties that he has overcome to the senate, From year to year- the battles, sieges, fortunes//That I have passed, Act 1 Scene 3- Othello presents he hubris as he boasts about his exotic adventures to the senate, Rough quarried, rocks, and hills whose heads tough heaven, Act 1 Scene 3- Othello first discusses why Desdemona was attracted to him, Shed come again, and with a greedy ear//Devour up my discourse, Act 1 Scene 3- Othello discusses the sympathy that Desdemona felt towards his struggles, She gave me for my pains a world of sighs, Act 1 Scene 3- Othello discusses how he enjoyed the pity he received from Desdemona, She loved me for the danger I had passed// And I loved her, that she did pity them, Act 1 Scene 3- Desdemona is allowed to speech and expresses how she belonged to her father, Act 1 Scene 3- Brabantio does not understand the harmful power of words, But words are words; I never yet did hear// That the bruised heart was pieced through the ear, Act 1 Scene 3- Desdemona expresses that she now belong completely to Othello, My heart subdued//Even to the very quality of my lord, Act 1 Scene 3- Desdemona discusses Othellos honour, And to his honours and he valiant parts//Did I my soul and fortunes consecrate, Act 1 Scene 3- Othello presents his greatness of soul as he declares that he is not simply with Desdemona for reasons of lust, I therefore beg it not//To please the palate of my appetite, Act 1 Scene 3- A moment of dramatic irony as Othello declares his trust for Iago and puts his wife in Iagos care, A man he is of honesty and trust://To his conveyance I assign my wife, Act 1 Scene 3- In a moment way ahead of his time the duke suggests that there is more to Othello than his race, If virtue no delighted beauty lack//Your son-in-law is far more fair than black, Act 1 Scene 3- In a moment of foreshadowing Brabantio plants a seed of doubt into Othellos head, Look to her Moor, if thou hast eyes to see//She has deceived her father and may thee, Act 1 Scene 3- In response to Brabantios seed of doubt Othello presents his overwhelming trust for Desdemona, Act 1 Scene 3- Othello makes an error of judgement as he puts Desdemona in Iagos control, Honest Iago,//My Desdemona must I leave to thee, Act 1 Scene 3- Roderigo expresses he desire to die after he learns about the marriage, this mirrors Othellos speech moments before his death, It is silliness to live, when to live is tormentwe have a prescription to die, Act 1 Scene 3- Iago declares the importance of will over instinct, Our bodies are our gardeners, to the which our will are gardeners, Act 1 Scene 3- Iago further illustrates the need to control lust with will, It is merely the lust of the blood and a permission of the will, Act 1 Scene 3- Iago reveals the greedy motives of his support for Roderigo, Act 1 Scene 3- Iago presents casual racism as he questions Othellos will, Act 1 Scene 3- Iago reveals his manipulation of Roderigo for money, Act 1 Scene 3- Iago reveals that is actions are simply for enjoyment presenting him as a true villain, Act 1 Scene 3- Iago suggests that he is going to manipulate Othello, Act 1 Scene 3- Iago identifies Othellos fatal flaw, The Moor if of a free and open nature//Than thinks men honest that but seem to be, Act 1 Scene 3- Iago presents casual racism as he refers to Othello as an animal, And will as tenderly be led by thy nose//As asses are, Act 1 Scene 3- Iagos plan has been formed, Hell and night//Must bring this monstrous birth to the worlds light, Act 2 Scene 1- Montano declares that the Turkish Fleet have drowed, If that the Turkish fleet//Be not ensheltered and embayed, they are drowned, Act 2 Scene 1- In a moment of dramatic irony it is suggested that the battles are over, Act 2 Scene 1- Cassios caring nature and genuine love for Othello are revealed, this dispels all previous rumors, yet he looks sadly//And prays the Moor be safe, Act 2 Scene 1- Cassio presents a genuine concern for Othello who has not yet arrived at Cyprus, O, let the heavens//Give him defence against the elements, Act 2 Scene 1- Iago presents casual sexism as he suggests that his wife Emilia talks to much, would she give you so much of her lips//As of her tongue she oft bestow on me//Youd have enough, Act 2 Scene 1- Desdemona dispels all previous rumors as she appears bold when she defends Emilia from Iago, Act 2 Scene 1- Iago appears sexist as he suggests that even his own wife lacks sexual morality, Act 2 Scene 1- Iago reveals more of plot to manipulate Cassio, With as little a web as this I will ensnare as great a fly as Cassio, Act 2 Scene 1- It is a true high point for the tragic hero as Othello arrives in Cyprus, It gives me wonder great as my content//To see you here before me.
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