I never guessed I would have a job where I get paid for just being myself., Cheo Hodari Coker is a Times staff writer, Do Not Sell or Share My Personal Information, Mars Voltas lead singer broke with Scientology and reunited with the band. Stumbled accross this while remembering and looking for info on Theo. But he's only been doing afternoon drive for about a year now or so. That same year, KMEL signed popular New York radio personality and San Francisco native Alex Bennett. KFAC was fed the audio from a microphone pointed at one end of the Bowl, and KFAC-FM the audio from a microphone at the other end of the Bowl. I always got the sense dude was geniunely kind with no ego and I liked that. He was also in Janet Jackson's "If" music video when he was still at KMEL in San Francisco. The FM station was originally licensed at 96.9 FM in 1946. As far as Theo having a lot of personal baggage, he always has been a complex person (albeit a bit on the insecure side). After Manly and the station met several times, we were finally told that the situation had been resolved and KKBT would meet a list of demands, one of which was sponsoring the NAACPs breakfast meetings. Black women could work there, but black men were not so fortunate. [64] By 1991, rap and hip-hop were being mixed in, and the station evolved to an urban contemporary format as "92.3 The Beat".[65]. Reviews help
106.1 FM began as KGO-FM, sister station of KGO. Theo Mizuhara was a radio personality who worked at various radio stations, including KKBT-FM in Los Angeles, California and KMEL-FM in San Francisco, California. If you thought he had no ego, you were sadly mistaken. 130 Likes, 1 Comments - Rimu * . KHHT's sister station KBIG-FM once had a rhythmic AC direction before shifting back to Hot AC in September 2007. "[48] Competing radio stations KPFK and KCRW both aired tribute programming to KFAC,[49][50] and Mount Wilson FM Broadcasters' KKGO-FM announced that it would switch formats to classical in January 1990, with KKGO-FM's existing jazz format moving to KKGO (540AM). about 15 years ago and never saw him after. Ross stated he worked an air shift and was usually followed by Theo Mizuhara, who came on after him during the weekends. 0 Negative Reviews
Language links are at the top of the page across from the title. YupTheo Mizuhara is the same guy who was on 106.1 KMEL Theo came down to Los Angeles to DJ for 92.3 KKBT (the Beat), two years ago,if I'm not mistakenI was pleasantly surprised to see him on here, and Ithink he's become on of the more popular DJs on that station --~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~______ Efren A. Bose University of California at Riverside\ / "If you are not personally free to be yourself in that most \ / important of all human activities--the expression of love-- \/ then life itself loses its meaning." List of "grandfathered" FM radio stations in the U.S. This section can be locked, requiring permission to
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As an urban contemporary station, KKBT hit #1 a few times in the ratings, and competed aggressively with a hip-hop station on the 105.9 frequency, KPWR. Digital and Radio Facts CEO Kevin Ross states he saw Theo at a restaurant in Studio City, CA. Theo Mizuhara is, in fact, the son of second-generation Japanese American parents--and he's such a hot figure in the hip-hop world that such hit rappers as Warren G and Tha Dogg Pound have had. THEY'RE LISTENING. On February 5, 2015, iHeartMedia announced it was changing KHHT back to urban contemporary the following morning. He was young and naive, and they were really being racist with him and he ended up suing them. They were none the wiser. Finally, there was a meeting called, and the late Craig Wilbraham, who was white, declared the station employed a majority of black employees, but that was not true, and there were very few, if any, in management or decision-making positions. But anyway, I figured more people would probably see the video than to read Yolk Magazine since Yolk is still very limited in distribution and such. We have found
In line with its slogan, "The People's Station", KMEL broadcasts the community-affairs show Street Soldiers, hosted by Dr. Joseph E. Marshall, on Sunday evenings. to see possibly who they are and full class lists found from school records and public sources. Mark McKay covered the mid-day slot, while Howard Hoffman took the afternoon drive time shift, Sonny Joe Fox covered evenings, Licia Torres hosted nights, and Mark Todd carried the overnight shift. : I seem to remember a Japanese sounding DJ with the name of Theo before on: the radio anyone from the SF Bay area know? See
In addition to its typical daytime mixture of hip hop and R&B, KMEL plays R&B and soul slow jams from roughly 10:00 pm to 1:00 am Monday through Thursday. Working with Theo was great. Under Naftaly's guidance, KMEL gravitated its format direction from pop top 40 to rhythmic by adding more urban artists and increasing its popularity with younger audiences. When were enjoying this good music, race isnt important. The same woman who betrayed the black male jocks immediately took to the stage to defend the station for not being racist. Thats when I met face to face with understanding how the situation at KKBT had worked. The last I heard about him was that he had left the entertainment industry and went to work in the tech industry in the bay area. [51] KFAC's John Santana was hired by KKGO as a host,[52] and revived the Gas Company Evening Concert the following March, with former KFAC announcer Tom Dixon as host. The music, the branding, the imaging and the promotions were all top-notch. [35] Days before that deal closed, on January 15, 1989, KFAC-FM was sold to Evergreen Media for $55 million,[36] setting a record for the most expensive sale of a classical music outlet in the United States. I was a black organization that could profit from a black man suing if I played ball. Then she took what we said back to the management members like the late Craig Wilbraham. The present-day format has made the station less synonymous with the previous short lived formats and became more recognized in the Bay Area's African American community all the while targeting a wider audience to date, thus giving it heritage status through the KMEL call letters. But maybe it was The Beat's incredible talent lineup that really had me in awe, then and now. Im not sure what he was doing there.. The FM station was originally licensed at 96.9 FM in 1946. The fact of the matteris that it isn't even close to being him. Being that 100.3 was going to an African-American owned company known for urban formats, it seemed that "The Beat" would likely move to 100.3 intact. Theo was my favorite DJ on 92.3FM TheBeat Los Angeles bitd (93~96?). The station, located on Yucca St in Hollywood at the time, was historic and the very place I was working when. The minute Theo opened the mic and said a few words, the women would lose it, and the calls would come pouring into the station, Ross said. In addition to Mike, the late Tre Black also had a dispute against the station for racism. I used to hold that against Black owners when I was younger, but I get it now. I saw him at an Urban Network conference, and he told me he was completely burnt out by the racism at the station, and it was a matter of time before he was going to be fired. Background, Court records found on Theodore's Family, [21] A waiver was requested to keep both KFAC and KFAC-FM under common ownership due to an interim policy proposed by the FCC which would have prohibited it;[22] after a public on-air solicitation of support from listeners yielded 15,000 letters,[23][24] the waiver was granted, and the deal was approved in October 1969. New comments cannot be posted and votes cannot be cast. In April 2011, KHHT fired morning host Victor Zaragoza (now at KBLX San Francisco). In September 1973, the KFRC-FM call letters were reinstated, and the station began a "nostalgia rock" format, playing oldies and soft rock as "K106". Hes been MIA since the 90s, theres been some rumors that he witnessed either Tupac or Biggies murder and thats why hes gone MIA. [13] Jeff Chang credits KMEL's reputation as "the people's station" for its location "blessed with one of the strongest campus and community radio networks in the country. where is theo mizuhara now This is LA! "[10] Two on-air personalities hired in this era came from local college radio stations: Davey D from UC Berkeley's KALX and Kevvy Kev from Stanford's KZSU. The NAACP organization at that time did not have the best reputation in Hollywood circles, and we were aware of that, but we didnt know where else to go. Biography. Because MyLife only collects this data and does not create it, we cannot fully guarantee its accuracy. Industry vets informed me that respected radio vet Lee Michaels trained Naftaly. [62] With the change, KKBT entered into direct format competition with KDAY, KJLH, KACE, and KGFJ, although KKBT focused more on soul music/rhythm and blues selections. Seeing Theo in Studio City Over the past several years, Ross states he has repeatedly been asked where former KKBT and KMEL DJ Theo Mizuhara is. This is part of the Live from Redhook Series hosted by Anthony Vitale & Michael Gentile.www.thefunktionhouse.com/. Black men at the station were mostly used to giving up cultural secrets, slang, and concepts to help program the station then we were quickly tossed to the curb. I hear in the SF Bay area working for a tech company, Radio Facts is a music and radio industry site targeting African Americans. You can hear it below. George Michael is like that, too. If he just wanted to get away from the spotlight, thats fine too but its just a fascinating concept to see a well known person go off the grid. Manly was very familiar with the racism problems at the station as our group was one of several black men who complained to the NAACPs Hollywood branch. Emma Beren, Zoe Topsfield, Amber Jacobs, Betty Schwartz and Lois Dukes, and many others are family members and associates of Theodore. Personalities during this time included John London, Renel Lewis and Brian Cooley on "The Morning Zoo", middays with Leslie Stoval, afternoon drive with Rick Chase, and nights with Evan Luck. In urban radio, we were trained to think that we should be grateful to have ANY job at all in radio because the white stations didnt hire black jocks. My kids used to listen to his show and I didn't believe them when they said he was Asian. I rule. Fuller, Auburn-Fuller Co., Pioneer Commercial Auto Co., White Auto Co., KFVD, KFAC, Los Angeles, Pioneer Truck and Transfer Co., Auburn California Co., Auburn Automobile Sales Co. California Branch, Olive Ransome Fuller, Motor Transit Co. - CoachBuilt.com", "Commemorating - 5th Anniversary of Your Gas Company's "Evening Concert": Advertisement", "PASSINGS: Thomas Cassidy, Valerie Eliot", "Fred Crane, radio announcer, actor, at 90", "Tom Dixon dies at 94; L.A. radio's voice of classical music for over 50 years", "Message from the Office of Community Involvement", "Bill Carlson; Classical Music Announcer at KFAC", "Carl Princi, 71; Voice of Opera on L.A. Radio", "Tonight: Hear Your Gas Company's Evening Concert Direct from Hollywood Bowl - Advertisement", "Loyalty, Dedication, Music Give Classics Strong Pulse", "An Urgent Message to the Friends of KFAC: Advertisement", "Public at odds with one-to-customer: KFAC ad campaign prompts 3,000 letters for common ownership in stations' sale", "Station-sale block hot at FCC: WDBJ spin-offs, WERE-AM-FM, WALA-TV are among 14 transactions approved by commission", "STAFF VETERANS REPLACED: NEW OWNER CLEANS HOUSE AT KFAC", "The Sun Threatens to Set on British Radio Comedy", "L.A. classical music station sells for $63.7 million", "THE MEDIA BUSINESS; Classical Stations Do Their Best To Survive", "KFAC to Face the Musicbut It May Not Be Classical", "Music to Someone's Ears: How demographics transformed classical radio station KFAC into big-beat KKBT", "Waltz Ends at KFAC as New Crew Gears Up for Rock", "Directory of Radio Stations in the United States and Canada", "Directory of Radio Stations in the United States", "Los Angeles Journal; In a Quest For Profit, Beethoven Is Ousted", "Classical station KFAC-FM takes final bow Wednesday", "Changes likely at KFAC, but new owners remain mum", "KFAC Refugees Look for a New Place to Call Home on Radio Dial", "This letter is in response to the two CEQA Negative Declarations (Neg.Dec.) fanatics size chart youth SU,F's Musings from the Interweb. "One minute, everything is coolain't nobody trippin', everything is straight. A Radio Facts Exclusive Interview (video), Absolute BEST Black Male Singers of All Time, Smash 90s Hip-Hop and R&B Songs That Still Keep the Party Going. See also. [1] First owned by Errett Lobban Cord, a luxury vehicle manufacturer who purchased KFAC in 1931 from the Bible Institute of Los Angeles,[2][3] KFAC became one of the first commercially operated radio stations in the United States to adopt a full-time fine arts/classical music format, having gradually added long-form programming devoted to the genre between 1938 and 1945. In late 1986, KMEL wanted to explore the mix show format, which Naftaly and Michaels put into place Powermixers DJ Dave Moss and DJ Alex Mejia as interns on a new Saturday night show called "Club 106." KMEL (106.1 FM) is an urban contemporary radio station that is licensed to San Francisco, California, and serving the San Francisco Bay Area. Digital and Radio Facts Outside of pure talent and extremely good looks, I have no idea how I got in (laugh). KMEL suffered a setback in ratings between 2009 and 2010. Then Mike hired a helicopter and flew it over The Beats Summer Jam JUST like he said he would. [27] The KFAC Listeners' Guild was established in 1970 supported by an annual $3 membership fee, providing listeners a chance to provide direct feedback to the station and its operations,[28] it boasted over 11,000 members after the first year. -- ------------------------------------------------------------------------------Mickey Chiu E-mail:
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[email protected] [email protected]. His battles with the church arent over, Michelle Obama didnt just attend a Springsteen concert in Barcelona. MyLife aggregates publicly available information from government, social, and other sources, plus personal reviews written by others. KMEL was also an affiliate of The Rockin' America Top 30 Countdown with Scott Shannon. Theo was a really nice guy from the Bay area who came to KKBT in the midst of the station making a lot of changes and targeting the hip-hop audience. Free Your Mind (Theo's Rec and Wreck Edit) (1992) by En Vogue feat. [78] Winners were honored at the Radio Luncheon on April 17, 2007, during the NAB Show in Las Vegas, Nevada. [25][23], By introducing their music, KMEL established many artists' careers in the late 1980s and 1990s, including Mariah Carey, En Vogue, Tupac Shakur, Digital Underground, DJ Jazzy Jeff & the Fresh Prince, MC Hammer, Queen Latifah, MC Lyte, Timex Social Club, Tony! All of the former black male jocks felt the same way so that was nothing new to me. The station's powerful signal is heard all over the Bay Area and covers areas as far north as Santa Rosa and as far south as the Santa Cruz Mountains. Save my name, email, and website in this browser for the next time I comment. [3] The station used the KMEL call letters to name itself "Camel 106". I asked him how he planned to do it. Add a bio, trivia, and more. Trivia (1) Japanese-American radio host known for his deep voice. Miller founded WERE and WERE-FM in Cleveland, and also owned WLEC and WLEC-FM in Sandusky, Ohio, and pledged to maintain KFAC's classical format. [44] KUSC was also presented with a $35,000 check and the rights to the KFAC calls,[45] those would later be placed on a KUSC repeater in Santa Barbara. [16] Because KFAC-FM made this move to Mount Wilson prior to the FCC enacting limits for power output by FM stations in 1962, it is formally classified as a "Superpower" FM by operating at a maximum power level, but with the antenna being placed well above the height limit. This same approach was also being used at sister stations KHJZ/Honolulu, KFBT/Fresno and WMOV-FM/Norfolk, Virginia, which are targeting Gen-Xers and concentrate on the latter two decades and play some currents in their presentation. My Lovin' (You're Never Gonna Get It) by En Vogue (1992) see 7 more connections. It is owned and operated by iHeartMedia. The song became so popular that it gave Salt-N-Pepa their first mainstream crossover hit.
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